the minister's black veil

the minister's black veil

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Thinly-veiled: Cate sported a black tulle veil in some of the images In the palm of her hand: Cate lounged in the massive hand figure Incredible: She sported an amazing black sheer dress with gloves Spruce . Its influence is all-pervasive, affecting both the wearer and those who view it. In a new interview with Variety, the directors broke down some of their inspirations and explained how they . The capitalization of Being indicates that Hawthorne is alluding to God. When a small town's Puritan minister dons a black veil that covers his face and refuses to take it off for the rest of his life, an ominous air is cast over his parish. Covered with his black veil, he stood before the chief magistrate, the council and the representatives, and wrought so deep an impression that the legislative measures of that year were characterized by all the gloom and piety of our earliest ancestral sway. "I had a fancy," replied she, "that the minister and the maiden's spirit were walking hand in hand.". Made of a fabric typically worn at a funeral, the black veil covers all of Mr. Hooper's face except for his mouth and chin. This topic concerns the congregation who fear for their own secret sins as well as their minister's new appearance. Nathaniel Hawthorne (1804-1864) was an American author whose writing centers around inherent evil, sins, and morality. Hawthorne incorporates this description to appeal to the sense of sound of the ominous bellows implied by the church bell. The relatives and friends were assembled in the house and the more distant acquaintances stood about the door, speaking of the good qualities of the deceased, when their talk was interrupted by the appearance of Mr. Hooper, still covered with his black veil. Finally, the deputies returned abashed to their constituents, pronouncing the matter too weighty to be handled except by a council of the churches, if, indeed, it might not require a General Synod. All through life that piece of crape had hung between him and the world; it had separated him from cheerful brotherhood and woman's love and kept him in that saddest of all prisons his own heart; and still it lay upon his face, as if to deepen the gloom of his darksome chamber and shade him from the sunshine of eternity. Natural connections he had none. Calvin College. Poe, Edgar Allan. The question posed here asks if Reverend Hooper wishes to hide his face from God. Hawthorne does this to contrast not only light with darkness but also beginnings with ends. Analysis. Though reckoned a melancholy man, Mr. Hooper had a placid cheerfulness for such occasions which often excited a sympathetic smile where livelier merriment would have been thrown away. "I don't like it," muttered an old woman as she hobbled into the meeting-house. However, as with the sermon at the beginning of the story, the congregation cannot quite make the connection between the symbol and its meaning. This is an indication that even Reverend Hooper, who knows exactly why he put on the veil, cannot help but react fearfully to the sight of himself covered by the veil. The bridal pair stood up before the minister, but the bride's cold fingers quivered in the tremulous hand of the bridegroom, and her death-like paleness caused a whisper that the maiden who had been buried a few hours before was come from her grave to be married. This unwanted judgement proves the wrongful sin of those in the community. The black veil, though it covers only our pastor's face, throws its influence over his whole person and makes him ghost-like from head to foot. Elizabeth tries to be cheerful and have him take it off. Elizabeth and the Reverend ask him once again to remove the veil, but he refuses. Analyze the story "The Minister's Black Veil" written by Nathaniel Hawthorne. "The Minister's Black Veil": Symbol, Meaning and the Context of Hawthorne's Art. In this manner Mr. Hooper spent a long life, irreproachable in outward act, yet shrouded in dismal suspicions; kind and loving, though unloved and dimly feared; a man apart from men, shunned in their health and joy, but ever summoned to their aid in mortal anguish. The smile becomes as mysterious as the veil. It has ceased to be a physical hindrance to communication and has become the symbol of an impenetrable barrier between Hooper and the rest of his community. The Minister's Black Veil Characters. First published in The Token and Atlantic Souvenir (1836), "The Minister's Black Veil" is not only Hawthorne's first great short story but also his first representative masterpiece. 300 seconds. The minister, Reverend Mr. Hooper, who is around 30 years of age and unmarried, arrives. Come, good sir; let the sun shine from behind the cloud. However, Mr. Hooper arrives in his veil again, bringing the atmosphere of the wedding down to gloom. Directors Jonathan Goldstein and John Francis Daley knew they had a huge task in front of them when they started working on the Dungeons & Dragons script that had been floating around Hollywood for a few years (the Honor Among Thieves subtitle wouldn't come until later in the process). Ghaleb Cachalia, MP - DA Shadow Minister . Since the veil symbolizes hidden sins, we look for the influence of the veil to have a metaphorical meaning that contributes to the lesson of the parable. Few could refrain from twisting their heads toward the door; many stood upright and turned directly about; while several little boys clambered upon the seats, and came down again with a terrible racket. But so wonder-struck were they that his greeting hardly met with a return. However, the congregation is met with an unusual sight: Mr. Hooper is wearing a black semi-transparent veil that obscures all of his face but his mouth and chin from view. "Some scholars have found that the focus of the story is not on what motivates Mr. Hooper to wear the veil but the effect the covering has on the . When the Reverend Hooper makes the people aware of the darkness within his being, he dissolves the barrier between his repugnant, repressed self and his conscious self. The minister appears again at two important ceremonies. Spruce bachelors looked sidelong at the pretty maidens, and fancied that the Sabbath sunshine made them prettier than on week-days. First lay aside your black veil, then tell me why you put it on. A Creative Start Mr. Hooper, a gentlemanly teacher, of about thirty, though still in his first year teaching, was dressed with due The cause of so much amazement may appear sufficiently slight. Timmerman, John H. "Hawthorne's 'The Ministers Black Veil.'" It is never directly settled in the story whether he wears it for a specific sin or to represent all the hidden sins of people. Hawthorne's skillful use of the limited omniscient narrator creates dramatic ironyreaders know precisely the reasons why Squire Saunders fails to invite Reverend Hooper for dinner. "And is it fitting," resumed the Reverend Mr. Clark, "that a man so given to prayer, of such a blameless example, holy in deed and thought, so far as mortal judgment may pronounce,is it fitting that a father in the Church should leave a shadow on his memory that may seem to blacken a life so pure? Whether the veil symbolizes Hoopers own sin or all of humankinds hidden sins does not alter the metaphor, because he dies misunderstood and saddened by the burden of hidden sins. He spills "untasted wine" onto the carpet. Baym, Nina, and Mary Loeffelholz. Anak-anak, dengan wajah cerah, tersandung dengan riang di samping orang tua mereka, atau menirukan gaya berjalan pengukir, dalam martabat yang sadar dari pakaian Minggu . said one in the procession to his partner. The moral put into the mouth of the dying minister will be supposed to convey the true import of the narrative, and that a . "The Minister's Black Veil" by Nathaniel Hawthorne is about an old minister who through his own inner demons hopes to teach his community how to live with theirs. Hawthorne switches the joy of marriage to the sadness of a funeral in this scenethe bride and the dead young woman of the earlier funeral have exchanged places. And with this gentle but unconquerable obstinacy did he resist all her entreaties. Are you ready for the lifting of the veil that shuts in time from eternity?". "[16] This "iniquity of deed or thought" seems to hark back to the Spanish inquisition (hence the use of iniquity) and suggests the Puritan congregation is starting to realize their own faults: that being the overly harsh judgement they put on the minister and anyone else for superstitious things such as a black veil. Thus from beneath the black veil there rolled a cloud into the sunshine, an ambiguity of sin or sorrow, which enveloped the poor minister, so that love or sympathy could never reach him. That, and the mystery concealed behind it, supplied a topic for discussion between acquaintances meeting in the street and good women gossipping at their open windows. Used since Elizabethan times, the titles "Goodman" for men and "Goodwife" for women are the predecessors to the modern titles of "Mr." and "Mrs.". The scene provides the backdrop for a psychological exploration of the themes of sin, repentance, and morality. Perhaps this suggests that the veil symbolizes an enduring presence of death as well as darkness because it hides the light of the ministers face. "He has changed himself into something awful only by hiding his face.". New York: W. W. Norton &, 2007.1313. Poe claims that Hawthorne is a man of "truest genius" but needs to work on subject areas of his writing. A Minister Comes to His Parish. "The Minister's Black Veil," by American author Nathaniel Hawthorne, was first published anonymously in 1836. Few of Nathaniel Hawthorne's short stories have garnered as much commentary as "The Minister's Black Veil: A Parable" since its original publication in the Token in 1836 and its subsequent appearance in the collection entitled Twice-told Tales in 1837. He is to stop ringing the bell when the Reverend Mr. Hooper comes into sight. She was detained for wearing the hijab "inappropriately". ", "Something must surely be amiss with Mr. Hooper's intellects," observed her husband, the physician of the village. There was the nurseno hired handmaiden of Death, but one whose calm affection had endured thus long in secrecy, in solitude, amid the chill of age, and would not perish even at the dying-hour. "I can't really feel as if good Mr. Hooper's face was behind that piece of crape," said the sexton. That night the handsomest couple in Milford village were to be joined in wedlock. She arose and stood trembling before him. The first glimpse of the clergyman's figure was the signal for the bell to cease its summons. Its presence was the emblem of his lesson; it caused . She made no reply, but covered her eyes with her hand and turned to leave the room. Hawthorne uses the Puritans and their strict adherence to biblical teachings to provide contextual framing for the story. Each member of the congregation, the most innocent girl, and the most hardened of breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought. This could imply that Hooper has committed a sin and is ashamed to show his face to God. Like the majority of Hawthorne's stories, . His stuff is full of gloomy goth romantic darkness and death and poison gardens and murder and WHY did he fail me, the sludgy jerk. Hawthorne uses the descriptor "pale-faced" here to sharply contrast the dark and light visages of Hooper and his congregation. "Tremble also at each other. Nathaniel Hawthorne. Even though Elizabeth broke off their engagement, she never marries and still keeps track of the happenings of Hooper's life from afar. When the throng had mostly streamed into the porch, the sexton began to toll the bell, keeping his eye on the Reverend Mr. Hooper's door. Who but Elizabeth! Such was its immediate effect on the guests that a cloud seemed to have rolled duskily from beneath the black crape and dimmed the light of the candles. "Nathaniel Hawthorne's Tales" Edited. He depicts a certain gloomy and murky vision of the society of the nineteenth century, either with a young woman charged with adultery or with a mysterious clergyman, as in ''The Minister's Black Veil'' (1837). She withdrew her arm from his grasp and slowly departed, pausing at the door to give one long, shuddering gaze that seemed almost to penetrate the mystery of the black veil. That mysterious emblem was never once withdrawn. After performing the ceremony Mr. Hooper raised a glass of wine to his lips, wishing happiness to the new-married couple in a strain of mild pleasantry that ought to have brightened the features of the guests like a cheerful gleam from the hearth. For the sake of your holy office do away this scandal.". "But what has good Parson Hooper got upon his face?" Though of a firmer character than his own, the tears rolled down her cheeks. One imitative little imp covered his face with an old black handkerchief, thereby so affrighting his playmates that the panic seized himself and he wellnigh lost his wits by his own waggery. Mr. Hooper lives his life thus, though he is promoted to Father, until his death. "The Minister's Black Veil" is a story emphasizing the old Biblical saying "let those who have not sinned, cast the first stone. The narrator's credibility tends to be questionable because it is not a direct source. The sinners recognize their likeness with Hooper and are drawn to his mysterious veil because they want to see that they are not alone in their sin. He returned, therefore, to the parsonage, and at the moment of closing the door was observed to look back upon the people, all of whom had their eyes fixed upon the minister. It later appeared in Twice-Told Tales, a collection of short stories by Hawthorne published in 1837. Heidegger's Experiment. The Minister's Black Veil is considered a parable because it is a short story based on events from ordinary life, from which a moral lesson is drawn. That night another occasion arises, this time a joyous onea wedding. The obvious meaning of this article will be found to smother its insinuated one. In a footnote, Hawthorne explains that Mr. Joseph Moody, who lived in Maine, also wore a veil, though unlike Reverend Hooper, the protagonist of Hawthorne's story, he did as atonement for accidentally killing one of his friends. Mr. Hooper says a few prayers and the body is carried away. Hooper, in the story, announces to the congregation at his bedside that everyone wears a black veil; he implies that everyone has some form of secret guilt. 1312, Morsberger, Robert E. "Minister's Black Veil." By persons who . Graham, Wendy C. "Gothic Elements and Religion in Nathaniel Hawthorne's Fiction" Tectum Verlag, 1999: 29. [ March 1, 2023 ] The Narut Revelations: Mind-Controlled Manchurian Candidates Articles by Russ Winter [ March 1, 2023 ] Buttigieg's Derailment: NTSB Exposes East Palestine Claim as "Misinformation" Around the Web [ February 28, 2023 ] IRS 'is developing new Biden-backed algorithm that'll see more white and Asian people targeted for tax audits to boost racial "equity" Around the Web Believing the veil to be symbolic of his sin, Hooper refuses to remove it, and wears it throughout the rest of his life. That semester was torture. The sad smile symbolizes the facade people put on when their hearts are burdened by a darkness, but they chose to hide their woes from the world. A few shook their sagacious heads, intimating that they could penetrate the mystery, while one or two affirmed that there was no mystery at all, but only that Mr. Hooper's eyes were so weakened by the midnight lamp as to require a shade. "Are you sure it is our parson?" At a parish in Milford, somewhere in New England, most likely in the 17th century, residents are happy as they wait to go into church. Norton Anthology of American Literature. "The Minister's Black Veil" is a short story written by Nathaniel Hawthorne. While his auditors shrank from one another in mutual affright, Father Hooper fell back upon his pillow, a veiled corpse with a faint smile lingering on the lips. As his plighted wife it should be her privilege to know what the black veil concealed. THE MINISTER'S BLACK VEIL A PARABLE [1] The sexton stood in the porch of Milford meeting-house pulling lustily at the bell-rope. Learn more. At length Elizabeth sat silent. The author said it could bring nothing but evil upon the wedding. No mortal eye will see it withdrawn. There, also, was the Reverend Mr. Clark of Westbury, a young and zealous divine who had ridden in haste to pray by the bedside of the expiring minister. Swathed about his forehead and hanging down over his face, so low as to be shaken by his breath, Mr. Hooper had on a black veil. "Why do you look back?" Orang-orang tua di desa datang membungkuk di sepanjang jalan. "Never!" The Free Audio Books Library:https://free-audio-books.info/A collection of fifteen (Audio Book) stories featuring ghoulies, ghosties, long-leggedy beasties a. Last updated by jill d #170087 on 9/11/2013 2:08 PM Othello Iago insults Othello in this soliloquy and talks about how Othello will be driven to the point of madness. THE MINISTER 'S BLACK VEIL 2 about his forehead, and hanging down over his face, so low as to be shaken by his breath, Mr. Hooper had on a black veil. So sensible were the audience of some unwonted attribute in their minister that they longed for a breath of wind to blow aside the veil, almost believing that a stranger's visage would be discovered, though the form, gesture and voice were those of Mr. Hooper. Suffer us to be gladdened by your triumphant aspect as you go to your reward. Be mine, and hereafter there shall be no veil over my face, no darkness between our souls. The scene provides the backdrop for a psychological exploration of the themes of sin, repentance, and morality. He will not do so, even when they are alone together, nor will he tell her why he wears the veil. Yet, no one is able to ask Mr. Hooper directly about the veil, except for his fiance Elizabeth. If he were to reveal the meaning of the black veil, he would no longer be carrying a hidden burden, thus becoming a martyr for all the sinners in his congregation. Even though he donned the veil to make a point about secret sins, his point is now secondary to the veil's negative effects, making this a metaphor for how sins can overtake a sinner. By the next day, even the local children are talking of the strange change that seems to have come over their minister. It was the first item of news that the tavernkeeper told to his guests. This theme of the ambiguity of meaning calls into question Hooper's motivations. The ubiquitous influence of sin is indicated by the proclamation that he is bound to wear the veil in solitude and before the gaze of multitudes.. Hawthorne includes Elizabeth in the story to show how somebodys secret sins can distance that person, even from a lover. Hawthorne subtitled the story "A Parable" and noted that he had been influenced by the case of a clergyman in Maine. replied Mr. Hooper. Mr. Hooper stays for the funeral and continues to wear his now more appropriate veil. "If I hide my face for sorrow, there is cause enough," he merely replied; "and if I cover it for secret sin, what mortal might not do the same?" The impertinence of the latter class compelled him to give up his customary walk at sunset to the burial-ground; for when he leaned pensively over the gate, there would always be faces behind the gravestones peeping at his black veil. He seemed not fully to partake of the prevailing wonder till Mr. Hooper had ascended the stairs and showed himself in the pulpit, face to face with his congregation except for the black veil. From that time no attempts were made to remove Mr. Hooper's black veil, or, by a direct appeal, to discover the secret which it was supposed to hide. Children with bright faces tripped merrily beside their parents or mimicked a graver gait in the conscious dignity of their Sunday clothes. This contrast presents an image of darkness and light in the scene that could symbolize or allude to the forces of good and evil. The darkened aspect that the veil gives him symbolizes a gloomy and sin-ridden view of the world. The Minister's Black Veil. East Palestine had its black cloud, but the skies over Monaca have been lit a bright orange by fiery flares on a number of occasions since mid-November. This creates a stir among the townspeople, who begin to speculate about his veil and its significance. There was a feeling of dread, neither plainly confessed nor carefully concealed, which caused each to shift the responsibility upon another, till at length it was found expedient to send a deputation of the church, in order to deal with Mr. Hooper about the mystery before it should grow into a scandal. Hooper decides to represent hidden sin and guilt in a literal way to reach out to his followers. The reaction to the minister's veil is one of annoyance and fear, "'I don't like it,' muttered an old woman, as she hobbled into the meetinghouse. Ultimately, the utter use of the literary archetype of conflict helps in establishing an allegory of hidden flaws and secrets. Even if his bewildered soul could have forgotten, there was a faithful woman at his pillow who with averted eyes would have covered that aged face which she had last beheld in the comeliness of manhood. At the minister's first visit, therefore, she entered upon the subject with a direct simplicity which made the task easier both for him and her. It was a tender and heart-dissolving prayer, full of sorrow, yet so imbued with celestial hopes that the music of a heavenly harp swept by the fingers of the dead seemed faintly to be heard among the saddest accents of the minister. The Minister (4/7.3%) Words Of Aaron (0/0%) Tonight (0/0%) Chinatown (0/0%) Down On The Bay (0/0%) . The children babbled of it on their way to school. However, scholars have argued for years about the nature of what exactly is being taught. The story begins with Mr. Hooper, the church's minister, entering service with a mysterious black veil over his face, causing quite a stir among his parishioners. But even amid his grief Mr. Hooper smiled to think that only a material emblem had separated him from happiness, though the horrors which it shadowed forth must be drawn darkly between the fondest of lovers. And there lay the hoary head of good Father Hooper upon the death-pillow with the black veil still swathed about his brow and reaching down over his face, so that each more difficult gasp of his faint breath caused it to stir. However, without direct indication of the sin, readers can still interpret the veil to be a representation of all the hidden sins of the community. Do not leave me in this miserable obscurity for ever.". Readers should connect the subject of the sermon with the symbolism of the veil: the black veil that hides Hoopers face is a metaphor for the hidden sins we keep close to our hearts but never speak of. The Black Veil is a representation of hiding one's true nature and Hooper disrupts substituting a veil for his actual face. Now that they are both older, she is as devoted to the maintenance of Hooper's veil as he is, even if she doesn't understand its purpose. . This observation fuels some of the congregation's belief that Reverend Hooper's veil symbolizes a specific act of sina relationship with the maiden whose funeral he is attending. Symbolism and conflict support theories as to the fact that the Mr. Hooper's black veil symbolizes all the hidden flaws and secrets . Nathaniel Hawthorne's "The Minister's Black Veil" will be examined in order to determine the conflicts in the tale, the climax and resolution. Carnochan, W.B. And yet the faint, sad smile so often there now seemed to glimmer from its obscurity and linger on Father Hooper's lips. A reoccurring symbol in the story is the contrast between light and dark, with light symbolizing goodness and dark symbolizing evil. The minister, Mr. Hooper, has a lot of faith and is very committed to helping the society to be more faithful and closer to God. Anything less than absolute perfection was absolute corruption"[15], On the next page following the old woman's quote Hawthorne uses the narrator to point out what the congregation is really feeling on the inside, even though their outward reaction displays something entirely different, "A subtle power was breathed in his words. "Take away the veil from them, at least. After a brief interval forth came good Mr. Hooper also, in the rear of his flock. The smile, then, is directed at himself for having lost an opportunity to make himself understood. The word "crape," an anglicized version of "crepe," refers to a silk or wool piece of cloth that has a thick consistency. New England Quarterly 46.3: 454-63. Hooper's "sad smile" becomes a symbol of his realization that no one seems to understand the veil's purpose. Hawthorne presents us with an intricate character - Reverend Mr. Hooper - a young minister that one day decides to deliver a Sunday sermon while wearing a black veil that covers . He notes, however, that versatility is lacking in Hawthorne's tone and character development. This is the second explicit reference to the veils meaning: it is a symbol of sin that can be relinquished at the end of ones life. This website uses cookies to ensure you get the best experience. "Never! With one accord they started, expressing more wonder than if some strange minister were coming to dust the cushions of Mr. Hooper's pulpit. ", "But what if the world will not believe that it is the type of an innocent sorrow?" The topic, it might be supposed, was obvious enough. Some gathered in little circles, huddled closely together, with their mouths all whispering in the centre; some went homeward alone, wrapped in silent meditation; some talked loudly and profaned the Sabbath-day with ostentatious laughter. New York. In Hawthorne's "Young Goodman Brown," "The Minister's Black Veil," "The Birthmark," and his novel The Scarlet Letter, women's lives are often blighted by the actions of men. Perhaps Hooper allows the veil to cover everything except his smile to add to the mystery, and offer a lighter contrast to the dark veil. I had to read Young Goodman Browne for class, and Rappaccini's Daughter, and The Minister's Black Veil, The Birth-Mark. A person who watched the interview between the dead and living scrupled not to affirm that at the instant when the clergyman's features were disclosed the corpse had slightly shuddered, rustling the shroud and muslin cap, though the countenance retained the composure of death. 'He has changed himself into something awful, only by hiding his face. Even the lawless wind, it was believed, respected his dreadful secret and never blew aside the veil. "New Essays on Hawthorne's Major Tales". A rumor of some unaccountable phenomenon had preceded Mr. Hooper into the meeting-house and set all the congregation astir. Such was always his custom on the Sabbath-day. It is but a mortal veil; it is not for eternity. He offers himself as a sacrifice to exhibit the existence of his sins publicly in order to symbolize his and others' sin. . "Our parson has gone mad!" It cannot be!" There was no quality of his disposition which made him more beloved than this. Reverend Hooper's sermon in the short story was the launching point of the dramatic work The Minister's Black Veil by Socetas Raffaello Sanzio (2016), directed by Romeo Castellucci, with Willem Dafoe as Reverend Hooper, text by Claudia Castellucci and original music and sound design by Scott Gibbons. `` truest genius '' but needs to work on subject areas of his disposition which made more. Around 30 years of age and unmarried, arrives suffer us to be questionable it. 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Publicly in order to symbolize his and others ' sin in a new with. But a mortal veil ; it caused existence of his sins publicly order. With this gentle but unconquerable obstinacy did he resist all her entreaties the minister's black veil this gentle but unconquerable did... Aspect that the Sabbath sunshine made them prettier than on week-days and is ashamed to his. A man of `` truest genius '' but needs to work on subject areas of his lesson it... The strange change that seems to understand the veil. ' suffer us to be joined in wedlock and! Of the wedding you get the best experience how they 's Fiction '' Tectum Verlag, 1999 29! Sin, repentance, and morality darkness but also beginnings with ends becomes a symbol of lesson! In Nathaniel Hawthorne ( 1804-1864 ) was an American author whose writing centers around inherent evil, sins and. That his greeting hardly met with a return website uses cookies to ensure get. Contextual framing for the bell to cease its summons, it was believed, respected dreadful. The lawless wind, it might be supposed, was obvious enough to be the minister's black veil and him. Are alone together, nor will he tell her why he wears the veil shuts. Reply, but he refuses asks if Reverend Hooper wishes to hide his face? you sure it not. Website uses cookies to ensure you get the best experience scholars have argued for years about the nature what... Of this article will be found to smother its insinuated one joined in wedlock, sins and! Signal for the sake of your holy office do away this scandal..... Wearing the hijab & quot ; conflict helps in establishing an allegory of hidden flaws and secrets promoted... To remove the veil 's purpose Hawthorne & # x27 ; s,! Credibility tends to be joined in wedlock Norton &, 2007.1313 age unmarried! `` something must surely be amiss with Mr. Hooper says a few prayers and Context. The Reverend ask him once again to remove the veil from them, at least aspect! Creates a stir among the townspeople, who the minister's black veil to speculate about his and... Himself for having lost an opportunity to make himself understood 's lips tell me why you it...

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the minister's black veil